Joker – Folie À Deux

Arthur Fleck’s in a tough spot, locked up for killing six people—though the cops only know about five. One of those was even on live TV! He’s waiting for his trial, and there’s a lot riding on what happens next. His lawyer’s trying to argue he wasn’t fully in control because of his split personality, Arthur and Joker. But Harvey Dent isn’t buying it. He wants Arthur to face the death penalty.

Life in jail is rough for Arthur. The guards give him grief all the time. One even lets him join a choir just to mess with him, but that’s where he meets Lee, and she changes everything. He can’t help but fall for her because she really seems to understand him. But here’s the thing: Is she into Arthur or the Joker?

Following up on the blockbuster first “Joker” movie wasn’t easy for Todd Phillips, but he went with something packed full of stuff people love nowadays—a little heavy on it at times.

And guess who pops up as Lee/Harley Quinn? Yep, Lady Gaga! She brings her own fame and flair to the character, adding a big splash of energy to things. Phillips keeps what makes “Joker” special while giving us something fresh.

In “Joker: Folie à Deux,” we’ve got this wild mix of musical and madness all wrapped into one crazy ride!
Imagine this: Joaquin Phoenix is back as the Joker, diving deep into the character again—like, he totally owns it. The whole movie pretty much hangs on his performance.

So, you’ve got Lee trying to work through famous song lyrics, mostly from Broadway shows. You know when you’re watching a musical and think, “Could they just talk already?” Yeah, that’s Arthur’s vibe too.

The film digs into how musicals often go for that happy-smiley thing even when life’s a mess. It gives off some vibes like the Joker’s creepy laughter; his mom called him “Happy” as a kind of twisted joke. And honestly? Life can feel absurdly sad sometimes.

There are bits pulled straight from real life—think Anonymous hackers, the pandemic’s chaos, George Floyd’s impact, or all the craziness at Capitol Hill—to keep it fresh. Plus, it’s got cultural shout-outs like “One Flew Over the Cuckoo’s Nest” and throws in classic duos like Sonny and Cher. The theater geek in me loved it nodding to an old Fred Astaire flick called “The Band Wagon.” And all these familiar songs we use to feel whole? Here, they’re little funny takes on life’s weirdness and love’s mystery.

“Joker: Folie à Deux” gets us pondering about how we broadcast our supposedly perfect lives to everyone online—hoping our so-called friends are a teensy bit jealous while keeping ourselves center stage. It’s about sticking with our own stories amidst all this worldly chaos.
From the start, Joaquin Phoenix is all about channeling pain and heartache in this movie. He totally steals the show, even outshining Lady Gaga! She’s awesome too, bringing a lot to her role, but let’s face it, Phoenix just has that extra edge.

The director, Phillips, throws a bit of everything into this film: think a mix of musical vibes, prison drama energy, and some cool animated moments. It’s like exploring shadows and how dark sides can take over someone’s life. One minute you’re sad about the funeral of a beloved dog’s shadow; the next, you’re thinking about how people you love sometimes leave you feeling alone.

Arthur’s lawyer even wants him to split into two personalities because everyone seems to believe being a character is safer than being yourself. Arthur? He’s not putting up any walls; he faces whatever life hits him with while others hide behind masks—like Joker masks—to keep their true selves hidden. Through it all, Phoenix’s performance stays raw and haunting from beginning to end.

So here’s what you need to know: this movie takes a different angle on the Joker tale. If you were all about the first film’s moody atmosphere, this might surprise you. It really changes things up when Joaquin Phoenix steps back into that legendary Joker role with his unique moves and unforgettable laugh—it’s something else entirely!
So, the director Phillips really strips away that whole mysterious vibe bit by bit. He twists Arthur’s “There is no Joker” moment kind of like Tony Stark’s big reveal in Iron Man with his “I’m Iron Man.” And to top it off, there’s a playful “That’s All Folks” at the end, almost teasing the big studio behind it all. It’s quite an entertaining experience!

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